While the Book Covers for her previous works are playful, bright and minimalist, there is a moodiness to the cover of Intermezzo.
The use of a deep Yves Klein blue—represents the infinite and immaterial—the book cover portrays the silhouette of a man, back turned towards the reader, standing in the distance. Two pairs of walking legs frame him: all three are dressed immaculately in black formals using forced perspective, providing a lens through which the audience might be able to consider their relationship and how it may unfold in the novel.