Seeing the transition from the ethereal sandy dunes on Arrakis to the cold and brutalist world of Harkonnen where we're introduced to Feyd Routha. Not only a stylistic and refreshing change for the moment, what happens in the next 10 mins also tells you a lot about the character and how he's going to meet his maker (the kind of foreshadowing I can get behind).

The way these scenes are composed tells you how the director wants you to think and feel. It’s showing, not telling. There’s one where Paul is shown adamantly stating he’s not here (Arrakis) to lead, followed by a cut to him “pointing the way” on the desert, the frame awash with sinister grays and blues.